Art And Design High School

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Collages reconstruct rooms

Lisa Tishman is a suburban homemaker and an artist, though not necessarily in that order.

Growing up in a nice Jewish home in Miami Beach, says Tishman, who now lives in Davie, ``marriage and a family was really important for me.''

But so was art, which is why the 1978 graduate of Miami Beach Senior High attended the Rhode Island School of Design, where she earned a degree in textile design.

While Tishman worked with Miami-based textile company David & Dash after graduating from RISD in 1982, it wasn't until five years ago that she began creating the collages that won her a spot in The Miami Herald's Art on Newsprint series.

Tishman creates three-dimensional collages out of clipped photos from magazines and newspapers. The clippings are assembled by perspective, color and light -- and create a new image altogether.


Microsoft's Connected Learning Community Grants Enhance Programs at 35 ...

(CSRwire) Emmanuel Hutchinson, a student at Tucson High School, gave up football to attend classes at the Tucson-Pima Arts Council's Multimedia Arts Education Center, a component of the Council's Arts Education Program. He found the environment safe -- other kids didn't try to intimidate him and teachers treated students like adults, with respect and trust. Since graduating from the program in May, he's even returned to do a presentation using posters he created with Microsoft Greetings 2000 software. Thanks to the program, he's also found a career path -- Emmanuel wants to become a computer graphic designer. Connected Learning Community Grants The Multimedia Arts Education Center offers a tuition-free intensive computer mediated arts technology program for lower-income, middle school students who otherwise might not have access to this kind of technology.


56-year Disney Legend helped create `Small World'

In need of a job in 1944, Santa Monica High School graduate Joyce Carlson followed a friend to Walt Disney Studios in Burbank, Calif., where she landed work in the traffic department delivering mail and office and art supplies.

But what started as just a job turned into a career for Carlson, who spent the next 56 years involved first with Disney animated movies and then theme park attractions worldwide.

Carlson, who helped ink animated films such as Cinderella, Peter Pan and Sleeping Beauty before helping create the original model for the ''It's a Small World'' attraction for the 1964 New York World's Fair, died of cancer Wednesday at her home in Orlando, Fla. She was 84.

As part of Walt Disney Imagineering, the company's theme park attraction design division, Carlson worked on many attractions but is most closely identified with ``It's a Small World.''

In addition to working on the model for the ride, she was known as the artist behind many of its singing dolls.


Kerry Hart: The danger of interdisciplinary arts education

Wouldn't it be great if we could read a couple of books on brain surgery and be ready to perform an operation? In arts education, that is the type of miraculous feat we often expect from our teachers.

Every academic discipline requires a unique intellectual function — from quantitative reasoning to philosophical inquiry. The arts are no different. Dance requires a physical-kinesthetic brain function; music requires an auditory function; visual art requires a visual-spacial brain function; and drama incorporates a combination of several, including the verbal-linguistic function that is important to the literary arts.

The college and university curriculum in each arts discipline is rigorous and, indeed, it takes a lifetime to acquire mastery in one subject area. Yet when it comes to teaching students who do not have a background in any of the arts, we create interdisciplinary arts courses that provide a superficial overview — usually from a historical perspective.


Les Savy Fav: indiedom's best-kept secret

A visit to Les Savy Fav's Web site reveals this proud motto: "Missing out on cashing in for over a decade." It's been the Brooklyn-based band's curse–or blessing–to be slightly ahead of the curve without ever quite benefiting from it.

"We're not really a career band," acknowledges bassist Syd Butler, reached in Washington, D.C., where he and his family are visiting his mom for Thanksgiving weekend. "We never signed to a major label, we never took advantage of the Brooklyn hype or whatever the trend was. We just kept putting along, like the Little Engine That Could. The Yeah Yeah Yeahs, the Liars, they're amazing bands, but signing to a major label wasn't something Les Savy Fav was interested in."

Known for singer Tim Harrington's unpredictable live shenanigans–kissing audience members, dangling from the rafters–as much as for clever art-rock records like The Cat and the Cobra, Les Savy Fav has been one of indiedom's best-kept secrets for over 10 years.



 

 

 

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