| Kara Walker pushes boundaries
New York — It's the day before Kara Walker's solo show opens at her gallery in the heart of Chelsea's art district. Passers-by hoping for a sneak peek stoop to peer beneath the half-lowered shades. Callers inquire whether she will be present at the reception — people who want to meet her, or even, the gallery owner suggests, touch her, as groupies would a rock star. The 37-year-old Walker is not just a star. In today's art world, she is a supernova. And this is the former Atlantan's moment: A triumphant retrospective at the Whitney Museum of American Art, one of three exhibits in New York alone. She's on magazine covers, in bookstores. Critics suggest comparisons to Goya, the venerated Spanish Old Master. .
willy waterton the sun times
With her comic Minnie Pearl bits, her fancy footwork and her 50,000-watt smile, it's easy to overlook how much music Linsey makes as part of this old-time country music variety show. Pianist Mel Aucoin, a regular with the Becketts in recent years, has more than four decades in the music business behind him, including a lengthy stint on the old Tommy Hunter show. He grew up in the thick of Cape Breton fiddle culture and has high praise for Tyler and Linsey and their place within the Ontario fiddle music continuum. "I'm out of breath when I'm watching those two," Aucoin said after Monday's first show. "They're as fine a fiddlers as you'll hear, wherever you go. They're as good as you're going to get. It doesn't get any better." Sometimes we forget that around these parts, where as Sun Times columnist Jim Merriam once wrote, "the first family of fiddling" is a Grey-Bruce treasure we tend to take for granted.
Dallas Seitz: Hunted - the cannibalism of colonial collectorexia
Pump House Gallery is pleased to present Dallas Seitz's first solo show in a UK public gallery, which will include a number of significant new commissioned works. Moving between the mediums of video, sculpture, drawing and photography Seitz investigates the processes of hunting and collecting as a form of colonization and obsession. Though the artist's practice is largely conceptual, much of his work originates from the personal. Often drawing on his own family, upbringing, and memories Seitz moves towards psychological and political terrains - exploring the wider motivations, intentions and implications behind the act of collecting. HUNTED (the cannibalism of colonial collectorexia) features a variety of artworks in a number of different media including films, images, handmade objects and bronze and glass sculptures.
Kara Walker pushes boundaries
New York — It's the day before Kara Walker's solo show opens at her gallery in the heart of Chelsea's art district. Passers-by hoping for a sneak peek stoop to peer beneath the half-lowered shades. Callers inquire whether she will be present at the reception — people who want to meet her, or even, the gallery owner suggests, touch her, as groupies would a rock star. The 37-year-old Walker is not just a star. In today's art world, she is a supernova. And this is the former Atlantan's moment: A triumphant retrospective at the Whitney Museum of American Art, one of three exhibits in New York alone. She's on magazine covers, in bookstores. Critics suggest comparisons to Goya, the venerated Spanish Old Master. .
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