| Dallas Seitz: Hunted - the cannibalism of colonial collectorexia
Pump House Gallery is pleased to present Dallas Seitz's first solo show in a UK public gallery, which will include a number of significant new commissioned works. Moving between the mediums of video, sculpture, drawing and photography Seitz investigates the processes of hunting and collecting as a form of colonization and obsession. Though the artist's practice is largely conceptual, much of his work originates from the personal. Often drawing on his own family, upbringing, and memories Seitz moves towards psychological and political terrains - exploring the wider motivations, intentions and implications behind the act of collecting. HUNTED (the cannibalism of colonial collectorexia) features a variety of artworks in a number of different media including films, images, handmade objects and bronze and glass sculptures.
BEST Robotics Competition to be Held Saturday at MSCC
Seven area schools will participate Saturday in the Boosting Engineering, Science and Technology robotics competition at Mid-South Community College. Opening ceremonies will begin at 9 a.m. at the college's Workforce Technology Center on the North Campus. “The BEST robotics competition combines the best aspects of a sporting event, a chess game, and a science fair," says Dianne Langford, director of the Arkansas Delta Science, Technology, Engineering, and Mathematics Talent Expansion Project at MSCC. “The competition allows our students - our future technology specialists - to participate in a fun event that we hope will motivate them to become catalysts for significant inventions of the 21st century." Schools registered to compete include West Memphis East Junior High School, West Memphis West Junior High School, West Memphis High School, West Memphis Christian, Benton High School, Marvell Middle School, and the Home School Association.
Mystic Studio opens in Denison
The newest art studio in Denison, Mystic Studios, at 110 S. Houston Ave., is a gallery an art lover can browse in all day and still not see everything.Mystic Studio was established in 2000, in the Houston area with the purpose of promoting the artistic work of studio owner Joni Beamish. She started her career as a studio potter in 1998 and gradually moved into her own diverse style. Beamish said the tremendous amount of support given to the artists in the Denison area is one of the main reasons for bringing her fresh and new experience to the Denison art scene. "I am here mainly because there is a lot of support for artists here. I feel this area is going to be the next McKinney, and I wanted to get here before the rush," said Beamish. "In order to be able to afford it you need to buy now. In McKinney, the buildings are like $1 to $1.5 million.
Radically visual
Two years ago, Ricardo Viera embraced the idea of an exhibition of snapshots with the typical gusto of a Cuban Falstaff. The director/curator of Lehigh University's galleries and museum operation relished the notion of a show of everything from family pictures to experimental collages. He knew it would neon-light his belief that photography is a level field, that a photograph is a flat world.
Viera made just one major proposal to the exhibit's proponents, Donald Lokuta and Robert Yoskowitz, arts professors and owners of large collections of snapshots. Why not, he suggested, pair pictures by amateurs with pictures of similar subjects by renowned photographers represented in Lehigh's collection? Why not invite visitors to debate who takes, and what makes, a better photo?
Organized by Viera, Lokuta and Yoskowitz, ''Vernacular to the Masters'' is a visual, intellectual hornet's nest.
Kara Walker pushes boundaries
New York — It's the day before Kara Walker's solo show opens at her gallery in the heart of Chelsea's art district. Passers-by hoping for a sneak peek stoop to peer beneath the half-lowered shades. Callers inquire whether she will be present at the reception — people who want to meet her, or even, the gallery owner suggests, touch her, as groupies would a rock star. The 37-year-old Walker is not just a star. In today's art world, she is a supernova. And this is the former Atlantan's moment: A triumphant retrospective at the Whitney Museum of American Art, one of three exhibits in New York alone. She's on magazine covers, in bookstores. Critics suggest comparisons to Goya, the venerated Spanish Old Master. .
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